Drummer’s Review
Here’s our latest review featuring a Natal Beaded Hammered Snare Drum.
Featuring…
13″ x 7″,
1mm double beaded steel shell,
Central band of heavy hammering between the two beads,
2.3mm Triple Flanged Hoops,
Natal’s Sun Turret Lugs,
Tri-Position snare throw off,
20-strand snare wires,
Natal’s Tru-Tune tension rods,
Evans Heads – coated HD batter over Hazy 300 snare side.
Filmed June 2024 (scroll down for recording & equipment details).
Natal Says…“Cut through the chaos with the beaded/hammered steel snare, ideal for a range of genres and playing styles. Its steel shell offers high-end projection and plenty of attacks so your sound really stands out, and the hammered section adds depth and dryness to your tone. Like most of our snares, it features chrome-plated hardware fittings including Tru-Tune tension rods for pitch-perfect tuning and a tri-throw snare mechanism for more sonic variety.“
Natal Beaded Hammered Steel Snare Drum – UK RRP: £245.00
For more details on the Natal Beaded Hammered Steel Snare Drum, head to: nataldrums.com
Recording Details:
Filmed at Paul Caboche Studios (Cornwall UK).
Microphone List:
Kick Rear: Audix D6
Kick Front: Electrovoice RE27ND
Snare Top: Electrovoice PL80
Snare Bottom: Electrovoice PL80
Hi Hat: Oktava MK-012-01 Cardio
Over Head wide: AKG C414B (pair)
Centre Over Heads: AEA R88 MK2 Stereo Ribbon Mic
Front Centre Room : AEA R88 MK2 Stereo Ribbon Mic
Wide Room Mic’s: sE2200T Tube Mic’s (pair)
Recording Process:
Microphone Pre amps: 16x Rupert Neve Designs 5052
Pre amp outs to Avid HD analog to digital converters connected to Avid HDX card
Recorded into Pro Tools Ultimate latest version running HDX cards mounted in an Apple Mac Pro 2019 16core.
Audio Template Details:
Basic EQ:
Basic EQ setting using the EQ section of the Neve 5052 mic Pre-Amps. No post recoded EQ or processing applied.
A Note From Paul…
“The microphones were set up with the overheads and room mic’s measured to the centre of the snare drum to keep the phase of any stereo pair in phase. The AEA R88 MK2 mic’s being stereo mic’s had no issue with phase but the front centre room mic and centre overhead where aligned with each other to keep the same stereo image. The phase reverse switch on the front kick mic was used to correct the phase between the two bass drum mic’s. The phase reverse switch was engaged on the bottom snare mic to correct the phase between the two snare mic’s. Hi pass filters only used on the hi hat mic, Ride mic and overheads. The live room of the studio has been treated to provide a neutral sound close to the drums & cymbals with the room mic’s then giving a true representation of what the instruments sound like in the room. Using 16 identical Mic Pre amps also helps with electrical phase so there is no difference between tone and phase of the Mic Pre amps. The brief for the recoding was to give as true a representation as possible of what the instruments actually sound like.”
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